Gandharan Head of a Bodhisattva

£ 375.00

A finely modelled stucco statuette fragment from Gandhara, most likely depicting the head of a Bodhisattva. In Buddhism, a Bodhisattva was an enlightened being who forewent nirvana in order to help others achieve enlightenment. The Bodhisattva’s round face displays idealised features with a classical influence, including wide almond-shaped eyes, arched brows, high cheekbones, a strong chin, and a slight smile. He wears a circlet or headband above his forehead, embellished with three round jewels, indicating his Bodhisattva status. This is further enhanced by the circular earrings that adorn his ears. His hair falls in soft waves framing his face, and there is a suggestion of a Ushnisha (protrusion on top of the head), symbolising increased wisdom gained during enlightenment. Small amounts of pale red pigment is visible around the left ear and parts of the face, indicating that the sculpture was once painted in keeping with traditions. The statuette was likely once part of a large-scale narrative panel modelled in high relief, as evidenced by the uneven texture at the back of the head.

Height given below includes both the head and stand.

Date: Circa 2nd - 4th century AD
Provenance: From a North West London gentleman's collection, 1990s-2000s
Condition: Fair condition. The facial features are clear. There is minor damage to the chin and top-knot, as well as significant wear to the nose and lips. The neck is cut unevenly and chipped. The back of the head is rough and uneven in texture, with some earthy encrustations. The fragment is supplied with a custom-made stand.

In stock

Gandhara was an ancient region, once geographically located in the Near East. The production of art within the region, usually dated between the 2nd and 5th century AD, included a wide range of Buddhist sculptures with a strong influence from Hellenistic aesthetic styles. This influence can be attributed to the Greek presence within the region, conquered by Alexander the Great in 327 BC, and subsequently controlled by his generals after his death. This region therefore became part of the Indo-Greek kingdom, with a unique artistic Greco-Buddhist style, displaying a blend of various cultures, including Hellenistic, Indian, Parthian, and later Roman. The Classical influence is particularly evident in the enhanced realism of the statues, including wavy hair and crisp, planar intersection of the forehead and eyes. Gandharan artistic production of this period is almost exclusively related to Buddhism, and features depictions of stone Buddhas and Bodhisattvas carved in high relief, usually attached to the walls of religious and domestic shrines. These images would once have been coated with a fine stucco plaster and painted, in order to give a more colourful appearance. Stucco itself, skilfully modelled around a mud core, was also used as an alternative to stone.

To find out more about Gandharan art please see our relevant blog post: The Influence of Greek Art on Gandharan Statues.

Weight 625.3 g
Dimensions W 8.1 x H 16.6 cm
Culture

Gandharan Ideology

Material

Region

Reference: For a similar item,The Victoria & Albert Museum, item IS.313-1951

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