Gandharan Head of a Male Figure

£ 225.00

A finely modelled stucco statuette fragment from Gandhara, most likely depicting the head of an attendant or worshipper. The figure is depicted wearing a turban or head cloth. The figure’s youthful round face displays idealised features with a classical influence, including almond-shaped eyes, a broad nose, arched brows, and dimpled cupids-bow lips forming an enigmatic smile. Further details include an incised circular line on his neck, and some pale red pigment outlining the facial features, indicating that the sculpture was once painted in keeping with traditions. The statuette was likely once part of a large-scale narrative panel modelled in high relief, as evidenced by the uneven texture at the back of the head.

Height given below includes both the head and stand.

Date: Circa 2nd - 4th century AD
Provenance: From the collection of a North West London gentleman, 1990s-2000s
Condition: Fair condition. The facial features are clear. There is damage to the tip of the nose, as well as significant wear to the top of the head and sides of the face, and the left side of the face is cut at an angle. The neck is cut unevenly and chipped. The back of the head is rough and uneven in texture, and an adhesive is visible connecting the head to the stand. The fragment is supplied with a custom-made stand.

In stock

Gandhara was an ancient region, once geographically located in the Near East. The production of art within the region, usually dated between the 2nd and 5th century AD, included a wide range of Buddhist sculptures with a strong influence from Hellenistic aesthetic styles. This influence can be attributed to the Greek presence within the region, conquered by Alexander the Great in 327 BC, and subsequently controlled by his generals after his death. This region therefore became part of the Indo-Greek kingdom, with a unique artistic Greco-Buddhist style, displaying a blend of various cultures, including Hellenistic, Indian, Parthian, and later Roman. The Classical influence is particularly evident in the enhanced realism of the statues, including wavy hair and a crisp, planar intersection of the forehead and eyes. Gandharan artistic production of this period is almost exclusively related to Buddhism, and features depictions of stone Buddhas and Bodhisattvas carved in high relief, usually attached to the walls of religious and domestic shrines. These images would once have been coated with a fine stucco plaster and painted, in order to give a more colourful appearance. Stucco itself, skilfully modelled around a mud core, was also used as an alternative to stone.

To find out more about Gandharan art please see our relevant blog post: The Influence of Greek Art on Gandharan Statues.

Weight 362.1 g
Dimensions W 5.8 x H 14.3 cm
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Reference: For a similar item,The Ashmolean Museum, item EAOS.48

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