Selection of Romano-Egyptian Terracotta Heads

A selection of Romano-Egyptian votive terracotta heads. All three pieces display well-defined facial features and Graeco-Egyptian coiffures. All three figures are mounted on custom-made display stands.


Date: 1st century BC-2nd century AD
Provenance: From a North London gentleman collection, in storage since the 1970s; then property of a West London gentleman.
Condition: Fine condition. Facial features are clear and distinguishable. Some damage to the parts of the heads that would have projected outwards.
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Clear selection

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SKU: SK-100 Category: Tags: , , ,

In Ancient Egyptian culture and mythology Harpocrates, Harpa-Khruti (Horus the Child), was the son of the goddess Isis and her husband Osiris. The deity was often depicted as a small boy, with a sidelock of youth and the index finger held to the lips or the chin, a typical Egyptian gesture symbolising childhood and also the Ancient Egyptian hieroglyph for “child”. The deity was later adopted by the Greeks and the misinterpretation of the gesture of the finger to the lips led to the association of Harpocrates with silence, hence making him the god of silence, secrets and confidentiality in Ancient Greek and Roman mythology. These statuettes are a beautiful example of the cultural and aesthetic syncretism which was common in antiquity across the Mediterranean regions. It was perfectly accepted in the Ancient World that other deities could exist and that they had no less legitimacy than those in one’s territory. Harpocrates is an example of a god adopted and adapted by the Greeks, the Romans and the Egyptians.

Physical appearance was of paramount importance in Ancient Rome and much energy was invested into it, as it would have reflected an individual’s social status. Hairstyles, along with jewellery, would have been one of the principal means to showcase wealth and prestige, as well as a major determinant of physical attractiveness. Slaves would keep their hair short, to reflect their low social status, and would tend to the intricate hairstyles of their masters, a scene typically carved on gravestones. Women would normally wear their hair drawn up and controlled by hairpins and nets, as loose hair was associated with loose morals.

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Pottery and Porcelain

Reference: For a similar item,Christie’s, London, 21st July 2011, lot 239

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