Byzantine Bronze Enkolpion Reliquary Cross

£ 250.00

A fine and complete Byzantine bronze reliquary cross, known as enkolpion. The cross is formed of two halves, with a hinged base and a suspension loop at the top for wear. A loop has been attached to the top with a pin later in antiquity. To the front of one half, a series of decorative circle-and-dot designs form another cross upon the enkolpion, terminating in a row of three. At the end of each arm, the cross has been further embellished with pairs of incised lines. The reverse is plain and unworked. The suspension loop features two grooves on either side, creating a ribbed effect.

Date: Circa 10th - 12th Century AD
Provenance: From the K.A. Collection, France
Condition: Fine condition. A beautiful patina and some encrustations to the surface. The suspension loop and hinge pin were added later in antiquity. They sit loosely on the enkolpion as one of the loops through which the pin is threaded has chipped and is now missing. The suspension loop features some surface pitting. The securing pin is now missing. Minor chipping to the edges, and some wear to the corners, as well as some minor scratches. 

In stock

SKU: CF-80 Category: Tags: , ,

Enkolpia were small pendants worn around the neck, with examples found dating back to Late Antiquity. The cross shape was the most popular symbol for such amulets, as a symbol of Christianity, believed to have apotropaic qualities. Many enkolpia were designed to hold reliquaries, as can be seen here by the opening function of the pendant. The reliquary was believed to work in tandem with the talismanic qualities of the cross-shape to protect the wearer from harm and evil. The popularity of these reliquary enkolpia suggests that not all held primary relics such as a piece of the True Cross or a bone of a Saint, but likely held secondary relics, for example earth from a holy site, locks of hair, or cloth touched by a saint. They were made in an assortment of materials, from gold and silver, to bronze and lead. Worn as a talisman and a symbol of the owner’s faith, such pieces were very popular in Byzantium, providing an intimate look at the material culture of piety in the Byzantine Empire.

To discover more about Byzantine art, please visit our relevant blog post: The Byzantine Empire, Art and Christianity.

Weight 42.9 g
Dimensions L 8.5 x W 3.9 cm
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