On the Uruk cylinder seals, priests, greenery, and ruminants in a heraldic group, conventionally expresses a strong religious implication that is associated with the fertility god Dumuzid. The god was worshipped as a significant male deity, who possessed protective power over herds and plants, representing fertility and resurrection within the traditional Mesopotamian religion. He was considered the consort of the goddess Ishtar and together, their cult was worshipped until the 11th century AD.
The combined religious and pastoral scenes represented here indicate a wider stylistic impact had on Syrian and Elamite glyptic arts, directly influence by Mesopotamian glyptic art . However, the inclusion of the pottery motifs with traditional heraldic representations has been considered a creative style invented by local Syrian glyptic artists.